Dexter Morgan (Michael C. Hall) using a MacBook Pro. |
Product placement has been around since the age of silent
films. Product placement took off in the movie E.T.: The Extra Terrestrial in 1982 when Eliot (Henry Thomas)
lured E.T. into a trap using Reese Pieces. Since that time, product placement
has become almost unnoticeable because the products look like they belong in
the scene. There is not a movie or television series that does not use product
placement.
Apple products are shown in 30% of the movies. Their products
like the iPhone, iPad, iMac, MacBook Air, MacBook, and MacBook Pro have
appeared in several movies including The
Twilight Series, Mission Impossible
3: Ghost Protocol, Contraband, Safe House, and Chronicle. In television, Dexter uses iPhones and MacBook. MacBooks
are in Sex and the City, 24, Buffy
the Vampire Slayer, and House of
Cards. In the trial of the century
(Apple vs. Samsung), Apple executives claim that they do not pay for the
product placement. Instead, they provide
free devices for product placement in television and film. What production
company will turn down free products to place in their television series or
films? Apple products appear 891 times in television shows in 2011. It is very smart on Apple’s part. Apple
spends one billion dollars each year on advertising, and that does not include
the products they give away for free to television series and movies. Their
competitors – Samsung and Microsoft – spent much more than Apple on
advertising.
Product placement has become extremely important
particularly because of devices like Dish Network’s The Hopper, which allows
the viewer to skip commercials during live television. It is because of this
feature that Fox, CBS, and NBC have filed a lawsuit against Dish Network. Since
product placement is within the television series episode and movie, devices
like The Hopper cannot skip over them, and forces the viewer to observe the
product in action. Since the product looks like it belongs in the shot, no one
minds this type of commercial.
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